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Insights on the Incarnation, Ancient and Modern

Here is a spectrum of theological observations on the incarnation ranging over the past 1800 years.   Helpful in the light of C. S. Lewis’s admonition regarding old texts, both for your own meditation, and for use in the congregation.

Irenaeus ( – c. 202) on the Incarnation

Tertullian (c. 160 – c. 220) on the Incarnation

Cyprian ( -258) on the Incarnation

Methodius ( -311) on the Incarnation

Athanasius (293-373) on the Incarnation

Ambrose (c. 340-397) on the Incarnation

Chalcedon (451) on the Incarnation

Martin Luther (1483-1546) on the Incarnation

John Calvin (1509-1564) on the Incarnation (1)

John Calvin (1509-1564) on the Incarnation (2)

John Donne (1572-1631) on the Incarnation

John Gill (1697-1771) on the Incarnation

Jonathan Edwards (1703-1758) on the Incarnation (1)

Jonathan Edwards (1703-1758) on the Incarnation (2)

Charles Wesley (1707-1788) on the Incarnation

Louis Berkhof (1873-1957) on the Incarnation

C. S. Lewis (1898-1963) on the Incarnation

David Wells (1939- ) on the Incarnation

Robert Reymond on the Incarnation

About Chuck Bumgardner

I seek to be a student of the Scriptures — New Testament in particular — and also have a deep love for the praise of God through music in the church. I have at the present time the privilege of overseeing the music and leading the singing in my local church, a ministry which brings me great joy and provides a God-ordained outlet for my musical energies. I've enjoyed serving in music-related areas in the church since high school — some 25 years now — as a vocalist, choir member, choir director, and congregational songleader. In addition to serving as a member — and for a time as an assistant pastor — in various local churches, I've also had the privilege of traveling during my college years to many churches throughout the United States and Canada as part of a vocal ensemble. I hunger to see, both in my own church and beyond, an increased appreciation for the great historic music of the church in which theologically rich texts are wedded to music which provides an appropriate setting for those texts, and through which our affections are turned toward God. I'm also eager to see new contributions to the rich heritage of Christian music which share in the same characteristics.

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