Musical Fruit

Chris Anderson asked recently for recommendations of “knock-your-socks-off-gorgeous instrumental music.” I’m always a bit wary of a steady diet of “knock-your-socks-of-gorgeous” music, but there certainly is a place for some lighter music now and then in between regular meals!
So here’s what I offered. Actually, most of this is what I would consider fruit: very accessible (and yummy!), but also quite healthy.
Most of these are available for Amazon download or at least have audio samples.
Bolero & Other Classical Blockbusters – Canadian Brass
Children’s Classics: Prokofiev, Saint-Saëns, Britten
Ancient Dances and Airs for Lute
Christopher Parkening – Elmer Berstein: Concerto for Guitar
Amadeus: The Complete Original Soundtrack
Mussorgsky: Pictures at an Exhibition; Night on Bald Mountain
Paris – La Belle Époque – Yo-Yo Ma
John Rutter/Distant Land The Orchestral Collection
Sense and Sensibility Soundtrack
Summon the Heroes – John Williams
Intimate Inspiration – the very best of The Amadeus Guitar Duo
Williams on Williams (Music from the Films of Steven Spielberg)
Yo-Yo Ma Plays Ennio Morricone
Yo-Yo Ma Plays The Music of John Williams
© 2009, Scott Aniol. All rights reserved.

Scott Aniol
Scott Aniol holds a bachelor's degree in church music from Bob Jones University (Greenville, SC), a master's degree in musicology from Northern Illinois University (DeKalb, IL), and has studied theology at Central Baptist Theological Seminary (Plymouth, MN) and Detroit Baptist Theological Seminary. He was ordained to to the gospel ministry by First Baptist Church (Rockford, IL) in April of 2004. As the executive director of Religious Affections Ministries, Scott speaks on the subjects of music and worship at various churches and conferences. His most recent speaking engagements include the Preserving the Truth Conference, Central Seminary’s Foundations Conference, International Baptist College, and Bob Jones Seminary. Click here to read and/or listen to important talks from Scott Aniol. Curriculum vitae
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Thanks, Scott. Our church folks will find this helpful.
Scott,
I would (in all sincerity) be interested in how you justify in your mind recommending soundtracks to movies about horrendously immoral people and which contain graphic nudity while still holding to the principles that you teach on your site. There seems to be a disconnect somewhere.
Not exactly sure what you’re talking about, but I evaluate music for its intrinsic qualities.
I got the impression that it was much more than that. Because if it was solely based on intrinsic quality, it would seem that your acceptance of music would be much broader than you are portraying it to be. Maybe you could define intrinsic quality and that would help. Does the music of a godless composer of 400 years ago have more intrinsic quality than the music of a God-fearing, equally talented musician of today? Or is it just that the rock music of the past 60 years or so is of such poor quality that it is inappropriate? Is your standard really just based on intrinsic quality? I guess that just seems dishonest. That or just arrogant.
By judging music simply by its intrinsic qualities, I am asking the question, “What does this music communicate all by itself, apart from context, composer’s lifestyle, composer’s intent, etc?” If I judge the music to communicate noble messages, then I may listen to it.
I use the same criteria for old music and new music. There was good old music and there is good new music. There was bad old music and there is good new music.
There are, of course, situations in which I may abstain for various reasons as well.
Ahhh, and that is where we will have to disagree. I believe it is impossible to honestly judge any music without knowledge of context, composer’s lifestyle, composer’s intent, etc. That is unless you are simply judging based on preference. In that case, the judgment is either of little value.
. . . the judgment is of little value. Forget the ‘either’.
Such judgments based on intrinsic communication is quite because music shapes the moral imagination and affections. To be unwilling to make such judgments is to leave one’s moral and affective life unguarded, something dangerous indeed.
Scott, thank you for this terrific list of classical music!
Could you please elaborate on why you are a bit wary of “a steady diet of ‘knock-your-socks-of-gorgeous’ music”? Also, It’s not quite clear to me if you are suggesting that list constitutes such music, or if these suggestions help to avoid such a diet. They certainly are ‘lighter’ pieces, for the most part, but would you recommend against a steady diet of them?
Thank you!
Bobmo, as I understood it, what Chris was asking for was kind of large, romanticized music with sweeping melodies and melodramatic orchestration. That kind of music may have a place now and then, but in my estimation its pretty manipulative emotionally. Again, that’s not necessarily a bad thing, but we can become addicted to it, and begin to view all of life and love that way. Remember, music shapes our affections.
I think some of what I suggested may fall into that category, but much of it is just more accessible music that is also very good, I think. I wouldn’t fully diet on this stuff, either. I view it as fruit, and I couldn’t live on just fruit. I need other nutrition.
And, I wouldn’t offer these dishes at the weekly banquet for my King, either! :)
Thank you for your very thoughtful reply, Scott.
Now, I’m off to enjoy a banquet with a bit of fruit on the side! :-)