Nicholas Wolterstorff, the Noah Porter Emeritus Professor of Philosophical Theology at Yale University, confronts the common trends in aesthetics in 1980 with his engaging Art in Action. This work is a simplification of his more academic treatise, Works and Worlds of Art. Even so, the ideas about art Wolterstorff tackles require a modicum of familiarity [...]
Continue Reading →If, as I argued in the last post, truth is more than factual correspondence—if it has an aesthetic aspect to it—then both the apprehension and the presentation of truth involve more than just intellect; they involve the aesthetic part of man, in particular, his imagination.
Today we use the term “imagination” to mean something more similar to [...]
Continue Reading →This will be a quick post, as I’m in the midst of significant transition. This past week, on a flight, I had the opportunity to read Arnold Steinhardt’s Indivisible by Four: A String Quartet in Pursuit of Harmony. Steinhardt spent over three decades as first violin for the Continue Reading →
So where does this leave us today? I will conclude with several brief suggestions of we should be striving toward in our choices of hymns for corporate worship.
Recognize the importance of form. Form shapes content. As we evaluate the hymns that we sing, we must not be content that our hymns simply say the [...]
Continue Reading →The dethroning of the Church by Reason and the creation of pop culture left the Church in an awkward position. Its cultural influence was non-existent. As the culture around it plunged into sanitized paganism, the Church’s traditional forms became foreign. The Church was in Babylon, yet it was free to worship as it pleased. So [...]
Continue Reading →This far in our journey we have witnessed an almost unbroken stream of Judeo-Christian tradition. From King David to Lutheran composer Johann Crüger (1598-1662) we find a slow and steady cultivation of poetic and musical forms. There were certainly bumps in the road and many changes along the way, yet for around 1800 years the quality [...]
Continue Reading →When Martin Luther (1483—1546) sparked a Reformation of the Church by nailing his Ninety-Five Theses to the Church door at Wittenberg in 1517, he challenged the Roman Church’s doctrine and practice, but never its musical forms. The musical forms of the Reformation continued to follow in the Judeo-Christian tradition.
The most significant change Luther made for [...]
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