Currently viewing the tag: "high culture"
Historically, Continue Reading →
Nicholas Wolterstorff, the Noah Porter Emeritus Professor of Philosophical Theology at Yale University, confronts the common trends in aesthetics in 1980 with his engaging Art in Action. This work is a simplification of his more academic treatise, Works and Worlds of Art. Even so, the ideas about art Wolterstorff tackles require a modicum of familiarity [...]
Continue Reading →A primary goal of Vaughan Williams was, of course, to compose art music. His many hours finding and indexing folk tunes resulted in the use of many of those melodies in his own compositions. As such, a distinction between art and folk music in his understanding is self-evident. Cecil Sharp, however, makes this distinction more [...]
Continue Reading →A common error exists frequently in contemporary discussions of the use of folk idioms as a compositional element in art music. Many authors today equate folk music with popular forms such as jazz, rock, and blues. In fact, the terms “folk” and “popular” have unfortunately come to be synonymous in conventional speech. For instance, George [...]
Continue Reading →This far in our journey we have witnessed an almost unbroken stream of Judeo-Christian tradition. From King David to Lutheran composer Johann Crüger (1598-1662) we find a slow and steady cultivation of poetic and musical forms. There were certainly bumps in the road and many changes along the way, yet for around 1800 years the quality [...]
Continue Reading →When Martin Luther (1483—1546) sparked a Reformation of the Church by nailing his Ninety-Five Theses to the Church door at Wittenberg in 1517, he challenged the Roman Church’s doctrine and practice, but never its musical forms. The musical forms of the Reformation continued to follow in the Judeo-Christian tradition.
The most significant change Luther made for [...]
Continue Reading →Editor’s note: This article is posted partially in response to discussion of Scott Aniol’s post on medieval hymnody.
I have suggested elsewhere that the civilization of the medieval West was imbued with Christian ideals, and that those ideals were abandoned after the Enlightenment. This assertion provokes several challenges in the popular mind, [...]
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