Someone emailed me recently asking for a list of articles that refuted musical relativism. Here is my reply:
Really, I think the issue comes down to whether there is any universal meaning at all in music and whether any of that meaning is inappropriate for Christians. Of course, my two books both deal with [...]
Continue Reading →Christians’ affections are greatly shaped by the moral imagination. The moral imagination is largely shaped by the meaning of the various media it encounters. This meaning is largely contained in the form of such things. If a pastor is serious about meaning, then he must be serious about form.
Form, in its simplest [...]
Continue Reading →Ours is not a particularly reflective age. When a pastor begins speaking of the meaning of the media, devices and technologies that surround us, he may receive something of a puzzled, if not combative, reaction. Many today are oblivious to the meanings of the things they read, the music they listen to, the films [...]
Continue Reading →Once a pastor has it settled in his mind that sola Scriptura does not require him to ignore, dismiss or reject extra-biblical sources of knowledge, he may safely walk through God’s world and examine it, knowing that it is, indeed, his Father’s world.
A pastor should become personally fascinated with meaning. How [...]
Continue Reading →Two propositions summarize why a conservative Christian church is concerned with meaning: Christians are humans, and Christians live in the world. What is the world? The world Christians live in is a world that is the handiwork of an intelligent Being, filled with all His purposes and designs. What is a human? A human [...]
Continue Reading →I recently listened to a message delivered by a music pastor at a pastor’s conference on the subject of song selection. He touched on issues related both to text and musical style, but it was an illustration given on the former that I found the most astonishing of the [...]
Continue Reading →If, as I argued in the last post, truth is more than factual correspondence—if it has an aesthetic aspect to it—then both the apprehension and the presentation of truth involve more than just intellect; they involve the aesthetic part of man, in particular, his imagination.
Today we use the term “imagination” to mean something more similar to [...]
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