We are studying Psalm 96 in an attempt to answer the question, Why sing? Last week we saw that the unique power of singing is that it helps us to express affections of the heart in ways that would not be possible if we didn’t have song. Song gives us a language for the expression… Continue Reading
Last time in our study of Psalm 96, I made the point that structurally this psalm oscillates between calls to praise God through song followed by reciting reasons for praising God. Understanding this structure will help us to discern why God would have us sing this psalm, any psalm, or any song in worship for… Continue Reading
Psalm 96 was placed by the editors of the psalms in a series that are unified by a common poetic genre and theme. Psalms 93–100 are often referred to as “Enthronement Psalms,” since their central message is affirmation of God’s kingly reign over all things. This psalm in particular is an Enthronement Psalm directly connected… Continue Reading
It has always been a characteristic of God’s people that they are a singing people. This was Paul’s admonition when he commanded Christians in Colossians 3 and Ephesians 5 to sing. Early church father John Chrysostom emphasized the power of singing when he said, “Nothing so arouses the soul, gives it wings, sets it free… Continue Reading
Week 29: Turn to God Weekly memory verse: Acts 3:19 – “Repent therefore, and turn back, that your sins may be blotted out.” Weekly hymn: “How Blest Is He Whose Trespass” (free download) Weekly catechism: What is repentance unto life? Repentance unto life is a saving grace, by which I turn from my sin to… Continue Reading
Psalm 130 expresses hope amidst desperation through what it says, but it also expresses confidence in God’s faithfulness through what it does poetically as well. The psalmist expresses a progression from repentant desperation to this hope and confidence in God’s mercy beautifully in the specific words that he chooses in this song. A good song writer doesn’t… Continue Reading
In our study of Psalm 130, we have seen that the psalmist uses various poetic devices like metaphor and repetition to create a picture of what true repentance should feel like–desperate need for forgiveness from sin. This is the primary function of stanza 1 (vss. 1-2) and 3 (vss.5-6) of this song of repentance. But… Continue Reading
We have seen that in verse 1 and 2 of Psalm 130, the author is creating a poetic experience of desperation that he wants us to enter as we consider our sin. He is not just telling us that we should feel desperate about our sin, he shows us artistically through the use of metaphor.… Continue Reading
Last week I pointed out that since Psalm 130 is a song, we cannot treat it like a Pauline epistle. We need to explore the poetic elements of the psalm to let it do for us what the original author(s) intended for it to communicate. First, songs often make use of artistic metaphors to create… Continue Reading
It our discussion of Psalm 130, we have seen that it is a song of repentance, it is a song of corporate worship, and it is a gospel song. But notice the common word in each of these descriptions—this is a song! And because this is a poem that is meant to be sung, we… Continue Reading
Last week in our discussion of Psalm 130 for today, we saw that this is one of seven of the penitential psalms, psalms that express repentance from sin and a call to God for mercy. Yet this is not simply an expression of individual repentance; this psalm is meant to be used in the context… Continue Reading
Psalm 130 is one of seven psalms that church tradition has labeled the “penitential psalms” (6, 32, 38, 51, 102, 130, 143), another way of saying “songs of repentance.” This penitential psalm includes all of the necessary elements of heartfelt confession to the Lord. The psalm has four stanzas, each progressively expressing true repentance. In… Continue Reading
In our study of Psalm 137 over the past several weeks, we have looked at the historical context of the psalm, the analogical relationships between the psalm and the present status of Christians, and what this psalm does aesthetically. We have seen that as pilgrims and exiles in this present world, Christians today have much to… Continue Reading
By the waters of Babylon, there we sat down and wept, when we remembered Zion. 2 On the willows there we hung up our lyres. 3 For there our captors required of us songs, and our tormentors, mirth, saying, “Sing us one of the songs of Zion!” 4 How shall we sing the Lord’s song… Continue Reading