It has always been a characteristic of God’s people that they are a singing people. Yet God’s people have also recognized that we must always look to Scripture to guide us in understanding why we sing in worship and what this singing should be like. There are many places in Scripture that give us principles… Continue Reading
The great shift in worship over the last century has been the result of evangelical clergy in America seeking to make the worship of the church more palatable to the so-called “unchurched.” This is without dispute. The church growth gurus have urged Christian ministers to engineer the style and “aesthetic” of evangelical worship so those… Continue Reading
In both Ephesians 5:19 and Colossians 3:16, Paul commands gathered believers to sing psalms, hymns, and spiritual songs, thereby “singing and making melody to the Lord with your heart” (Eph 5:19) and “teaching and admonishing one another in all wisdom” (Col 3:16). Scholars disagree as to the exact meaning of the three terms psalms, hymns,… Continue Reading
In Psalm 96, David emphasized, through various poetic devices, the necessity of singing confidently about the Lord’s reign, even though it is not yet a present reality. He wants us to sing this way because in so doing, it shapes our hearts. A recognition and acknowledgment of the realities of Christ’s future reign causes us… Continue Reading
Last week we looked at several aspects of how various poetic devices were used in Psalm 96 to shape the content and form the singer and listener. Many of these poetic devices are still used in poetry and hymnody today. The most common poetic device in Hebrew poetry is parallelism, which has been captured in… Continue Reading
A critic recently approached me about our hymnal and rebuked us for (among other things) including hymns written by Catholics in our hymnal. It is no secret that we include Catholic and Orthodox hymn texts. For example, we include the very ancient Te Deum (“Holy God, We Praise Thy Name”). We include works by or attributed to… Continue Reading
Singing both helps us express right affections to God in response to God’s character and works, and it also helps to form those affections when we make present through the art realities that are past, present, and future. But our affections are also formed by the art itself; in the case of Psalm 96, the… Continue Reading
We have seen thus far that good hymns help us to express the affections of our hearts in response to God’s character and works, which brings him great glory he deserves, and that this kind of expression in public is a great witness to the unbelieving world. But there is a second reason that we… Continue Reading
We are studying Psalm 96 in an attempt to answer the question, Why sing? Last week we saw that the unique power of singing is that it helps us to express affections of the heart in ways that would not be possible if we didn’t have song. Song gives us a language for the expression… Continue Reading
Last time in our study of Psalm 96, I made the point that structurally this psalm oscillates between calls to praise God through song followed by reciting reasons for praising God. Understanding this structure will help us to discern why God would have us sing this psalm, any psalm, or any song in worship for… Continue Reading
In our study of Psalm 137 over the past several weeks, we have looked at the historical context of the psalm, the analogical relationships between the psalm and the present status of Christians, and what this psalm does aesthetically. We have seen that as pilgrims and exiles in this present world, Christians today have much to… Continue Reading
Here’s one of the most important concepts about music in worship I think needs to be communicated to pastors and parishioners alike: Music in the context of corporate worship is not primarily about giving people an authentic expression through their preferred musical style. Music in worship is (as is liturgy and preaching) formative. It shapes right spiritual… Continue Reading
9Marks published that “some elder should exercise oversight over picking the music and all the other details of the worship service.” I agree with Lawrence for all the reasons he listed; there is simply too much at stake in choosing music for corporate worship. The songs we sing are more than simply good truth set to… Continue Reading
This is a series to further explain the articles of “A Conservative Christian Declaration.” . We affirm that the worship of God is regulated through his Word. Innovation, however well-intentioned, is “will-worship” (Col. 2:23), violates the free consciences of individual Christians (Rom. 14:5, 23), and is therefore displeasing to God (Matt. 15:9). We affirm that the… Continue Reading
In the second book of The Marrow of Theology, William Ames’s (1576-1633) classic Post-Reformation work, Ames deals with a number of matters related to practical theology. The ninth chapter discusses prayer.1 As you will see, Ames’s approach to this topic is helpful from a historical and practical perspective. Prayer, Ames says, can be outward or inward–mental or audible.… Continue Reading
| | | We have looking at different reasons why the regular meeting for worship with one’s church is better than private meetings of worship, including times of personal devotion and family worship. Both, we have consistently stressed, are essential for vital piety in the life of a believer. But one is more important than another. And… Continue Reading
I’m writing a brief series recommending different recordings of excellent sacred music in English. Last time I introduced several thoughts and recommended more than a dozen recordings of hymns and anthems. Today I want to recommend a handful of choral recordings of the Psalms in English. Again, my list will not be exhaustive, and I… Continue Reading
An interesting online discussion has emerged in the past few weeks about the issue of not singing a particular song in a service when that song expresses sentiments you do not believe to be true. The discussion began with Roger Olson, who argued that we should not sing a song when the doctrine does not… Continue Reading
There is a narrow way of worship that walks between two great gulfs of peril. One one side you have terror, on the other you have enthusiasm and untempered frenzy. We struggle to walk that narrow way, and see in the great Christian tradition a wake whereby we can judge our own course. And the… Continue Reading
The hymnody of the early church was naturally an extension of Hebrew hymnody.1 Therefore, we can expect the hymnody of the early church to have the same general characteristics of Hebrew hymns: Early church hymns were word-centered, modest, and distinct, and they continued to nurture the forms they inherited from Jewish worship. The only change would… Continue Reading