Series: The Hymnody of the Christian Church

The Biblical Mandate to Sing

The Biblical Mandate to Sing

This entry is part 1 of 14 in the series The Hymnody of the Christian Church You can read more posts from the series by using the Contents in the right sidebar.

When Christians discuss worship, they often focus on one primary element of worship above others—music. The church’s songs are without question the most controversial aspect of Christian worship. I am convinced, however, that some careful thinking about what Scripture has to say about our hymns, adequate understand of the purpose of power of Christian hymnody,… Continue Reading

The Purpose and Power of Christian Hymnody

The Purpose and Power of Christian Hymnody

This entry is part 2 of 14 in the series The Hymnody of the Christian Church You can read more posts from the series by using the Contents in the right sidebar.

Last time we observed the fact that we sing because the Bible commands us to sing. But let’s get a little bit deeper than simply singing because we’re told. Why, exactly, has God told us to sing in worship? We can certainly recognize why he commands things like preaching and praying and reading the Scriptures.… Continue Reading

Word and Phrase Choice in Christian Hymnody

Word and Phrase Choice in Christian Hymnody

This entry is part 3 of 14 in the series The Hymnody of the Christian Church You can read more posts from the series by using the Contents in the right sidebar.

Word/Phrase Choice There are several different ways that content can be shaped within a hymn. The first is simply with what words are chosen to communicate the message. Words are important. How we put them together into phrases is important. Words and phrases are important because different words and phrases have different connotations—different “feelings” attached… Continue Reading

Poetic Meter in Christian Hymnody

Poetic Meter in Christian Hymnody

This entry is part 4 of 14 in the series The Hymnody of the Christian Church You can read more posts from the series by using the Contents in the right sidebar.

The next level of form is poetic meter and rhyme scheme. A poetic meter is basically how many syllables are in each line of the poem, and where the naturally stresses are. Consider this example: A – MAZ – ing GRACE! How SWEET the SOUND That SAVED a WRETCH like ME! I ONCE was LOST,… Continue Reading

Musical Form in Christian Hymnody

This entry is part 5 of 14 in the series The Hymnody of the Christian Church You can read more posts from the series by using the Contents in the right sidebar.

Musical form shapes content in very similar ways to poetic form, yet it is a bit more abstract and thus considerably more difficult to readily recognize. But because music communicates by mimicking natural human expression, anyone can discern the basic meaning of music by simply listening closely and asking a few penetrating questions. Music contains… Continue Reading

Reformation Hymns

This entry is part 6 of 14 in the series The Hymnody of the Christian Church You can read more posts from the series by using the Contents in the right sidebar.

When Martin Luther (1483—1546) sparked a Reformation of the Church by nailing his Ninety-Five Theses to the Church door at Wittenberg in 1517, he challenged the Roman Church’s doctrine and practice, but never its musical forms. The musical forms of the Reformation continued to follow in the Judeo-Christian tradition. The most significant change Luther made for… Continue Reading

The Cultivation of Form

The Cultivation of Form

This entry is part 7 of 14 in the series The Hymnody of the Christian Church You can read more posts from the series by using the Contents in the right sidebar.

On the wall in my study I have three portraits. All three are portraits of theologians who were also heavily involved with music. They are Martin Luther, J.S. Bach, and Isaac Watts. All three men fought their battles in defense of high standards for worship music. All three had their share of controversy. And all… Continue Reading

Hymnody in the Judeo-Christian Tradition

This entry is part 8 of 14 in the series The Hymnody of the Christian Church You can read more posts from the series by using the Contents in the right sidebar.

The Beginning The first mention of music in the Bible is in Genesis 4. Verses 17—22 list Cain’s descendants, and specifically those who began the development of various cultural and social skills. Jabal was “the father of those who dwell in tents and have livestock,” Tubal-cain was “the forger of all instruments of bronze and… Continue Reading

Early Church Hymns

Early Church Hymns

This entry is part 9 of 14 in the series The Hymnody of the Christian Church You can read more posts from the series by using the Contents in the right sidebar.

The hymnody of the early church was naturally an extension of Hebrew hymnody.1 Therefore, we can expect the hymnody of the early church to have the same general characteristics of Hebrew hymns: Early church hymns were word-centered, modest, and distinct, and they continued to nurture the forms they inherited from Jewish worship. The only change would… Continue Reading

Medieval Hymns

Medieval Hymns

This entry is part 10 of 14 in the series The Hymnody of the Christian Church You can read more posts from the series by using the Contents in the right sidebar.

When Emperor Constantine legalized Christianity in 313 with the Edict of Milan, and Christianity soon became the religion of the entire empire, the cultural conditions within which the Church thrived changed into a situation that had not been enjoyed since before the Hebrew exile. Soon the Church gained prominence over all aspects of politics and… Continue Reading

The Enlightenment and Christian Hymnody

This entry is part 11 of 14 in the series The Hymnody of the Christian Church You can read more posts from the series by using the Contents in the right sidebar.

This far in our journey we have witnessed an almost unbroken stream of Judeo-Christian tradition. From King David to Lutheran composer Johann Crüger (1598-1662) we find a slow and steady cultivation of poetic and musical forms. There were certainly bumps in the road and many changes along the way, yet for around 1800 years the quality… Continue Reading

Two Roads Diverged

This entry is part 12 of 14 in the series The Hymnody of the Christian Church You can read more posts from the series by using the Contents in the right sidebar.

The dethroning of the Church by Reason and the creation of pop culture left the Church in an awkward position. Its cultural influence was non-existent. As the culture around it plunged into sanitized paganism, the Church’s traditional forms became foreign. The Church was in Babylon, yet it was free to worship as it pleased. So… Continue Reading

Hymnody Today: What Do We Do?

Hymnody Today: What Do We Do?

This entry is part 13 of 14 in the series The Hymnody of the Christian Church You can read more posts from the series by using the Contents in the right sidebar.

So where does this leave us today? I will conclude with several brief suggestions of we should be striving toward in our choices of hymns for corporate worship. Recognize the importance of form. Form shapes content. As we evaluate the hymns that we sing, we must not be content that our hymns simply say the… Continue Reading