Here is a spectrum of theological observations on the incarnation ranging over the past 1800 years. Helpful in the light of C. S. Lewis’s admonition regarding old texts, both for your own meditation, and for use in the congregation.
Irenaeus ( – c. 202) on the Incarnation
Tertullian (c. 160 – c. 220) on the Incarnation
Cyprian ( -258) on the Incarnation
Methodius ( -311) on the Incarnation
Athanasius (293-373) on the Incarnation
Ambrose (c. 340-397) on the Incarnation
Chalcedon (451) on the Incarnation
Martin Luther (1483-1546) on the Incarnation
John Calvin (1509-1564) on the Incarnation (1)
John Calvin (1509-1564) on the Incarnation (2)
John Donne (1572-1631) on the Incarnation
John Gill (1697-1771) on the Incarnation
Jonathan Edwards (1703-1758) on the Incarnation (1)
Jonathan Edwards (1703-1758) on the Incarnation (2)
Charles Wesley (1707-1788) on the Incarnation
Louis Berkhof (1873-1957) on the Incarnation
C. S. Lewis (1898-1963) on the Incarnation
David Wells (1939- ) on the Incarnation
Robert Reymond on the Incarnation
About Chuck Bumgardner
I seek to be a student of the Scriptures — New Testament in particular — and also have a deep love for the praise of God through music in the church. I have at the present time the privilege of overseeing the music and leading the singing in my local church, a ministry which brings me great joy and provides a God-ordained outlet for my musical energies. I've enjoyed serving in music-related areas in the church since high school — some 25 years now — as a vocalist, choir member, choir director, and congregational songleader. In addition to serving as a member — and for a time as an assistant pastor — in various local churches, I've also had the privilege of traveling during my college years to many churches throughout the United States and Canada as part of a vocal ensemble. I hunger to see, both in my own church and beyond, an increased appreciation for the great historic music of the church in which theologically rich texts are wedded to music which provides an appropriate setting for those texts, and through which our affections are turned toward God. I'm also eager to see new contributions to the rich heritage of Christian music which share in the same characteristics.