Thou art worthy to take the book, and to open the seals thereof: for thou wast slain, and hast redeemed us” (Revelation 5:9)—that’s the theme of the new song. The theme of the new song isn’t “I am”; it’s “Thou art.” Notice the difference! When you look at the old hymnody of Wesley, Montgomery and Watts, it was “Thou art, O God, Thou art.” But when you look at the modern hymns, it is “I am, I am, I am.” It makes me sick to my stomach. Occasionally a good hymn with testimonies is all right, but we’ve overdone it. The song of the ransomed is going to be “Thou art worthy, O God.”
—The Attributes of God
I’m always suspicious when we talk too much about ourselves. Somebody pointed out that hymnody took a downward trend when we left the great objective hymns that talked about God and began to sing the gospel songs that talk about us. There was a day when men sang “Holy, Holy, Holy,” and “O Worship the King,” and they talked objectively about the greatness of God. Then we backslide into that gutter where we still are where everything is about “I.” “I’m so happy,” “I’m so blest,” “I’m so nice,” “I’m so good,” always “I.” The difference between heaven and hell is the difference between God and I. Jesus Christ, by canceling His “I” was the Christ of God, not as I will, but as Thou wilt. The devil by magnifying his “I” became the devil—when he said, “I will arise, I will raise my throne above the throne of God.” (Sermon, “Ezekiel”)
—Tozer on Worship and Entertainment
After the Bible the next most valuable book for the Christian is a good hymnal. Let any young Christian spend a year prayerfully meditating on the hymns of Watts and Wesley alone and he will become a fine theologian. Then let him read a balanced diet of the Puritans and the Christian mystics. The results will be more wonderful than he could have dreamed.
—The Best of A. W. Tozer
The older I get the more I love hymns, and the less I love secular music. Secular music, however beautiful and artistic it may be and however it may express the genius of the composer, has one jewel missing from its crown. But a hymn, though it may not reflect the same degree of genius and a good musician might find fault with it, is still beautiful because it has God there. The song that honors God is bound to be beautiful.
—The Attributes of God
Throughout the Western world we tend to follow the poet and approach Christmas emotionally instead of factually. It is the romance of Christmas that gives it its extraordinary appeal to that relatively small number of persons of the earth’s population who regularly celebrate it.
So completely are we carried away by the excitement of this midwinter festival that we are apt to forget that its romantic appeal is the least significant thing about it. The theology of Christmas too easily gets lost under the gay wrappings, yet apart from its theological meaning it really has none at all. A half dozen doctrinally sound carols serve to keep alive the great deep truth of the Incarnation, but aside from these, popular Christmas music is void of any real lasting truth. The English mouse that was not even stirring, the German Tannenbaum so fair and lovely and the American red-nosed reindeer that has nothing to recommend it have pretty well taken over in Christmas poetry and song. These along with merry old St. Nicholas have about displaced Christian theology.
—The Warfare of the Spirit