It is irresponsible to claim that Luther used tunes from secular loves songs for his hymns and compare it to today’s situation. If there is one argument in defense of bringing secular musical forms into the church that I’ve heard more than any other, it is certainly one that insists that Luther used tunes from… Continue Reading
Church music in nineteenth century America can be summarized very simply with one word: reform. In many ways, the influential writers and composers of the nineteenth century were bent upon rejecting the new music of eighteenth century American composers and returning to more established classical traditions. In order to understand their motivation, however, one must consider both the changes… Continue Reading
Recognition of a difference between folk and pop music may perhaps seem inconsequential, but for a composer like Ralph Vaughan Williams the distinction was at the heart of his life’s work. For Vaughan Williams and his mentor, Cecil Sharp, the commercial nature of music often rendered it banal and vulgar — it was music created… Continue Reading
The motivations behind Vaughan Williams’s use of folk idioms in his music also clearly demonstrates the distinction between folk and pop music in his thinking. Clearly Vaughan Williams’s interest in folk music was connected to his desire for a distinctly English national music. Indeed, as the title of his work on folk music (National Music)… Continue Reading
Unfortunately, according to Cecil Sharp and Vaughan Williams, folk music as an art is largely dead, and this provides the first evidence of a distinction between folk and pop music in their thought. With a chain of events including the Industrial Revolution and the creation of mass media came the emergence of a new form… Continue Reading
In a recent interview, mission leader C. Douglas McConnell was asked to name the greatest challenge facing the global evangelical missions movement today. He responded, “There is a critical need for frontier mission types to develop an ecclesiology. We are church planters but in some cases we do not understand what a church is theologically… Continue Reading
A primary goal of Vaughan Williams was, of course, to compose art music. His many hours finding and indexing folk tunes resulted in the use of many of those melodies in his own compositions. As such, a distinction between art and folk music in his understanding is self-evident. Cecil Sharp, however, makes this distinction more… Continue Reading
An interest in English folk songs emerged in England toward the end of the nineteenth century. By 1898 the Folk Song Society was founded, and rising composer Ralph Vaughan Williams joined the Society in 1904.1 The Society had been perfectly comfortable simply discussing folk music in the abstract until an influential folk tune advocate named… Continue Reading
A common error exists frequently in contemporary discussions of the use of folk idioms as a compositional element in art music. Many authors today equate folk music with popular forms such as jazz, rock, and blues. In fact, the terms “folk” and “popular” have unfortunately come to be synonymous in conventional speech. For instance, George… Continue Reading
This far in our journey we have witnessed an almost unbroken stream of Judeo-Christian tradition. From King David to Lutheran composer Johann Crüger (1598-1662) we find a slow and steady cultivation of poetic and musical forms. There were certainly bumps in the road and many changes along the way, yet for around 1800 years the quality… Continue Reading
When Martin Luther (1483—1546) sparked a Reformation of the Church by nailing his Ninety-Five Theses to the Church door at Wittenberg in 1517, he challenged the Roman Church’s doctrine and practice, but never its musical forms. The musical forms of the Reformation continued to follow in the Judeo-Christian tradition. The most significant change Luther made for… Continue Reading
Editor’s note: This article is posted partially in response to discussion of Scott Aniol’s post on medieval hymnody. I have suggested elsewhere that the civilization of the medieval West was imbued with Christian ideals, and that those ideals were abandoned after the Enlightenment. This assertion provokes several challenges in the popular mind, two of which… Continue Reading
When Emperor Constantine legalized Christianity in 313 with the Edict of Milan, and Christianity soon became the religion of the entire empire, the cultural conditions within which the Church thrived changed into a situation that had not been enjoyed since before the Hebrew exile. Soon the Church gained prominence over all aspects of politics and… Continue Reading
I mentioned in my report on our Brazil trip that I had the opportunity to sit down with a man who grew up in a tribe in the Amazon. His name is Rober (pronounced “HO-ber”) Guerreiro (means “warrior”), and he is a member of a Tikuna (pronounced “chi-KOO-nah”) tribe in the Amazon jungles. Now as I… Continue Reading
On the wall in my study I have three portraits. All three are portraits of theologians who were also heavily involved with music. They are Martin Luther, J.S. Bach, and Isaac Watts. All three men fought their battles in defense of high standards for worship music. All three had their share of controversy. And all… Continue Reading
There seem to be a lot of hymns being written today, and a lot of them are really pretty good. One of the reasons for that seems to be that pastors are beginning again to write hymn texts instead of just musicians or publishers. There is one relevant potential pitfall into which hymn writers today could easily… Continue Reading
It seems as if several themes have been reoccurring on this site, Paleoevangelical, and a few other places over the last few weeks. These themes have to do with musical associations, indigenous church planting, and musical universals. Here are the posts I’m talking about in case you need to get caught up: On Taxonomies of… Continue Reading
Pre-order for 30% off | Book Website SECTION ONE: LAYING THE FOUNDATION Chapter One: Biblical Authority in Matters of Faith and Practice Many Christians insist that because the Bible says nothing explicitly regarding the kind of music that pleases God, God must not care what we listen to. This chapter dispels that idea by demonstrating… Continue Reading
Kurtz, Dean. God’s Word, the Final Word on Worship and Music, A Biblical Study. Self-published, 2008. 364 pp. $15.59. Purchase: Amazon ISBNs: 1606473239 / 978-1606473238 Author Bio (from the book): Dean Kurtz (BS Music Education; BS Bible; MA Sacred Music; Doctor of Ministry) has been passionate to communicate the Word about worship and music for… Continue Reading
I’ve taken pains on this site to explain the differences between high culture, folk culture, and pop culture. Last night my wife and I witnessed a very enlightening collision of all three types of culture. Some friends of ours invited us to join them for an evening at the Rockford Symphony (incidentally, we had front… Continue Reading